The first time we see Mario, the hero of ',' we think perhaps he is retarded. He is having a conversation with his father, who seems to be retarded, too, or perhaps just engrossed in his soup.We realize in the next scene or two that Mario is of normal intelligence, but has been raised in a place that provided him with almost nothing to talk about. That is about to change.Mario lives on a quiet island where little changes and new ideas arrive slowly, if at all.

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Then one day the postmaster enlists him to bicycle out to the house of a new arrival. Pablo Neruda (played by ), the famous poet, has been exiled from his native Chile for political reasons, and has come here to live.Mario grows fascinated by Neruda, who seems to receive letters mostly from women. He discusses the poet with the village postmaster, a communist who supports Neruda for his political ideas.Neither one of them has much insight into poetry, but Mario agrees to take the job of postman so that he can visit Neruda daily, and maybe find out how to pick up girls.Their relationship grows slowly. Neruda is a quiet man who lives with a woman, perhaps his wife. Mario sees enough to realize they are deeply in love.

Slowly, using every possible conversational opening, the postman forges a friendship. He obtains a book of Neruda's poems, and asks him to sign it. Neruda signs 'Regards, Pablo Neruda.' Mario is crushed: the book is not even personalized, 'To Mario.' How can he impress women with it?

As the movie opens, Mario is like the man who came to dinner: He arrives at Neruda's gate, and in a sense never seems to leave. By the end of the film, Mario is more like the mute, inglorious Miltons that Thomas Gray wrote about in his 'Elegy Written in a Country Churchyard': We see that Mario, too, might have developed the soul of a poet, had he not been born in such a backwater.And there is another lesson - Neruda can also learn from the people he has come to live among. Some months after he leaves the village, a newspaper clipping comes into Mario's hands, quoting the poet, who says, 'I lived in complete solitude with the most simple people in the world.' Mario's face betrays just the slightest twitch as he learns how 'simple' he is. That twitch is enough to reveal that he is no longer quite so simple.'

The Postman' could have developed its friendship between poet and peasant more obviously. The beauty of the film is in its quietness. The director, is British, born in India. His previous credits ('1984' and ') are interesting films, but nothing like this Italian-language production.The guiding spirit behind the production seems to have been Troisi, an Italian director and actor who co-wrote the screenplay and postponed heart surgery in order to act in the title role.

He died the day after the movie was finished. Perhaps it was his illness, or perhaps it was his sense of the material, that caused him to play the role in such a low key. He never seems to push for an effect, never strains, never goes too far. His character spends the entire film essentially violating Neruda's privacy - but he does it so quietly, you can never quite catch him at it.I also liked Philippe Noiret, as the poet. He is a French actor, now 65, who has spent decades playing a phlegmatic man of the people. When other people's faces might reflect surprise, his reflects confirmation: He always seems to be nodding as if things had turned out as he expected.Together, they make this good-hearted little film into a quiet meditation on fate, tact, and poetry.

If things had been different, Mario might have been the poet, and Neruda the postman, although that is an idea that occurs more easily to Mario. And it is Mario, too, who proves that poetry can work to seduce women, although the woman of his dreams, inevitably named Beatrice , is initially suspicious. The screenplay is based on a novel, Burning Patience, by Antonio Skarmeta, but is the novel based on fact? I don't really want to know.

Ardiente Paciencia, or El Cartero De Neruda, is a 1985 novel by Antonio Skármeta. The novel was published in the English market under the title The Postman. It tells the story of Mario Jiménez, a fictional postman in revolution-era Chile, who befriends the real-life poet Pablo Neruda.

The novel is based on the motion picture of the same author released in 1983,^[1] and it was turned into another movie in 1995 as Il Postino, directed by Michael Radford. It was also turned in an opera, Il Postino, by Daniel Catán, with Plácido Domingo portraying Pablo Neruda (premiered at the Los Angeles Opera, 2010).

Synopsis[edit]

The story opens in June, 1969 in the little village of Isla Negra, on the coast of Chile.

Mario Jiménez, a timid teenager, rejects the profession of his father, a fisherman, and instead takes a job as the local postman. Despite the entire village being illiterate, he does have one local to deliver to—the poet, Pablo Neruda, who is living in exile. Mario worships Neruda as a hero and buys a volume of his poetry, timidly waiting for the moment to have it autographed.

After some time, Mario garners enough courage to strike up a conversation with Neruda, who is waiting for word about his candidacy for the Nobel Prize for literature, and despite an awkward beginning, the two become good friends. Neruda fuels Mario's interest in poetry by teaching him the value of a metaphor, and the young postman begins practising this technique.

In the village, Mario meets Beatriz González, the daughter of the local barkeep, Rosa. Beatriz is curt and distant from Mario, and the young man finds his tongue tied whenever he tries to speak to her. With Neruda's help as a poet and an influential countryman, Mario overcomes his shy nature and he and Beatriz fall in love, much to the dismay of Rosa, who banishes Beatriz from seeing Mario.

Neruda's matters are complicated when he is nominated for candidacy as the president of the Chilean Communist Party, but returns to the island when the nomination turns to Salvador Allende. My four walls keygen for mac. Neruda tries in vain to deter Rosa's negative attitude towards Mario.

Months later, when a clandestine meeting between Beatriz and Mario turns to intercourse, Beatriz discovers she is pregnant and the two are married, much to the dismay of Rosa. Neruda leaves to become the ambassador to France, and as he leaves, he gives Mario a leather-bound volume of his entire works.

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National workers enter the village to install electricity, and Rosa's bar becomes a restaurant for the workers. As Neruda is gone, Mario is no longer needed as the postman, but takes on a job as the cook in the restaurant. Some months pass and Mario receives a package from Neruda containing a Sony tape recorder. Neruda is homesick (and it is implied otherwise ill), and asks his friend to record the sounds of his homeland to send back to him. Among other things, Mario records the tiny heartbeat of his yet unborn child.

Secretly, Mario has saved enough money to purchase a ticket to visit Neruda in France, but matters change when his son is born and the money is spent on the child as he grows. It is announced that Neruda has won the Nobel Prize and Mario celebrates with the rest of the village by throwing a party at Rosa's restaurant.

Neruda returns some time later, quite ill. Mario considers sending a poem into a contest for the cultural magazine, La Quinta Rueda, and seeks Neruda's help with the work. Neruda, unbeknownst to Mario, however, is on his death bed. Unable to see Neruda, Mario decides to send in a pencil sketch of his son.

The revolution reaches Isla Negra, and Mario takes up his job as postman in order to see Neruda. As helicopters circle the area, Mario sneaks into Neruda's house, to find the poet dying in his bed. Mario reads to Neruda telegrams that he has received offering the poet sanctuary, but it is too late—Neruda knows he is dying and gives his last words, a poem, to Mario. Neruda is taken away in an ambulance and dies in the hospital several days later.

Shortly after Neruda's death, Mario is approached by Labbé, the local right-wing general. The general asks Mario to come with him for some routine questioning. As Mario gets into the car, he overhears on the radio that several subversive magazines have been taken over by coup forces, including La Quinta Rueda.

In an epilogue, the author talks to one of the editors of La Quinta Rueda. The editor remembers who the winner would have been—a poem by Jorge Teillier. When the author asks about Mario's sketch, the editor has no memory of it. The author ends the story by sipping a cup of bitter coffee.

References[edit]