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Back.jpg33.84 KBCD-2.jpg105.81 KBCD.jpg105.33 KBFront.jpg39.47 KB01.- Wham! (Enjoy What You Do).flac47.45 MB02.- Wham! - Young Guns (Go For It).flac35.46 MB03.- Wham! - Bad Boys.flac23.39 MB04.- Wham! - Club Tropicana.flac32.85 MB05.- Wham! - Wake Me Up Before You Go Go.flac27.21 MB06.- Wham!

- Careless Whisper.flac32.39 MB07.- Wham! - Freedom.flac37.46 MB08.- Wham! - Last Christmas (Pudding Mix).flac44.52 MB09.- Wham! - Everything She Wants.flac38.97 MB10.- Wham! - I'm Your Man.flac28.83 MB11.- Wham! - A Different Corner.flac20.87 MB12.- Wham! - Battlestations.flac30.45 MB13.- Wham!

- Where Did Your Heart Go.flac35.05 MB14.- Wham! - The Edge Of Heaven.flac29.98 MBTorrent downloaded from Demonoid.com.txt47 bytesWham! - The Final (1986) EAC-FLAC RePoPo.txt9.01 KBWham! - The Final.log5.83 KBWham! - The Final.m3u1.08 KB. The Final (1986) EAC-FLAC RePoPo.01.

(Enjoy What You Do) 06:4102. Young Guns (Go For It) 05:1103. Bad Boys 03:1904.

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Club Tropicana 04:2805. Wake Me Up Before You Go Go 03:5006. Careless Whisper 05:0307. Freedom 05:2008. Last Christmas (Pudding Mix) 06:4509. Everything She Wants 06:2910.

I'm Your Man 04:0311. A Different Corner 03:5812. Battlestations 05:3013.

Where Did Your Heart Go? The Edge Of Heaven 04:34-Album review by Iain Moffat (know what not enough greatest hits albums start with?

Politicised UK hip-hoptracks from 1982, that's what. Yet here we find 'Wham! Rap (Enjoy What You Do)'telling the three million unemployed not to give up on the life they want whilethe backing singers butchly chirp 'D.H.S.S.!' Has there been a band - pop orotherwise - since that have gone for such an enticingly bizarre opening gambit?Alright, probably, but not exactly on an everyday basis, which is part of whatmakes The Final something of a prince among its peers.

To new listeners, it'sbound to be full of genuinely unaccountable surprises. For those who were fansat the time, it's a marvellous vindication. And for those for whom Wham! Werethe enemy in the 1980s, it shows them unexpectedly ripe for reassessment.Not that they actually were seen as the enemy in the early days. In fact, theNME wouldn't be this excited about pop rap again until the resistance-anihilating emergence of Betty Boo almost a decade later, and the attraction ispretty clear even now. Subsequent singles would move the band further into thewhite-boy soul territory that the likes of 'No Parlez' and the early StyleCouncil singles would occupy to tremendous commercial and critical effect, andtheir penchant for teenage kicks coupled with a sharp observational edge(consider, for instance, 'Young Guns (Go For It)'s reference to 'sleeplessnights on an HP bed') rang far truer than the fantastical farces then peddled bythe rest of the New Pop brigade.

Plus, they had a keen ear for the iconic moment(the dropped-out instrumentation at the 'caution pays' point of 'Young Guns'still delights, while Dee C Lee's cartoon purr on 'Bad Boys' is a hoot, and thatsingle's 'wooh!wooh!' S were clearly custom-built for their ubiquity), and, while'Club Tropicana' was roundly criticised as being too Thatcherite, hindsightrenders it an interesting snapshot of a culture in flux. 'Y Viva Espana', elevenyears earlier regarded holidays as impossilby exotic, while 'Girls And Boys',eleven years later, would paint them as blase bacchanalia, whereas, for Wham!,there was fun to be had in the world becoming available to all.And didn't the world just welcome them for it? Neil Tennant's often spoken ofthe Pet Shop Boys having an imperial phase in '87/'88, but, really, it hadnothing on the one illustrated here, since, frankly, few do. 'Wake Me Up BeforeYou Go Go', 'Careless Whisper', 'Freedom', 'Last Christmas' (included here inits 'Pudding Mix', which is essentially the familiar version with aninexplicable hula intro) and 'Everything She Wants' all reached number two orabove in under eight months, and all remain key elements of the pop canon.

It'sinteresting, hearing them back-to-back, to note that all five are driven by realor imagined infidelity (fascinatingly, in later years George Michael's 'SpinningThe Wheel' would be effectively the horrific moment at which his 'Wake Me Up.' Self actually wakes), which makes it all the more intriguing that they were soutterly embraced, and also that there's some startlingly audacious songwritinggoing on at this stage. 'Last Christmas' in particular demands a staggeringamount of conviction to sidestep the risk of cheese overload, yet George managesto perform lines like 'Happy Christmas' / I wrapped it up and sent it / With anote saying I loved you / I meant it' (awful written down, obviously)unbeatably.

And anyone that can tackle the Doris Day and guilty feet lyrics thatwell as well has to be applauded for sheer chutzpah even if the tunes themselveswere lacking, which their enduring populist winningness would indicate is veryfar indeed from the case.Of course, like everyone else involved in Band Aid (with the notable exceptionof U2), their momentum would dissolve immediately thereafter, and reinventingthemselves in 1985 as the All-New, All-Different SexWham! Really didn't help.After all, 'I'm Your Man' might still work on some terms, and can thankfullyblot out all memory of the Alfie Moon version when listened to now, but thetruth is that, for reasons that are rather clearer now, George couldn't reallydo sex all that well at that point (in retrospect, this makes 'Fastlove and'Outside' even greater achievements), but by then their work was pretty muchdone anyway.

He sounds far more at home in balladeering mode on 'A DifferentCorner', which cemented his Terribly Serious reputation in spite of the factthat the shuttlecocks-in-shorts era really wasn't that distant a memory by then,and 'The Final Single', all of which appears here bar the re-done 'Wham!